Do we get new types of cinema from shifts in cinema technology? Critically evaluate this question with close reference to two films, exploring one aspect of production (i.e. the image, film music).

Do we get new types of cinema from shifts in cinema technology? Critically evaluate this question with close reference to two films, exploring one aspect of production (i.e. the image and film)

Pirates of the Caribbean: Dead Mans Chest (Gore Verbinski 2006)
Super 8 (J. J. Abrams 2011)